Cast Announced For Tomorrow At Noon Three New One-Act Plays
by Julie Musbach
- Apr 11, 2018
Jermyn Street Theatre has announced casting for Tomorrow at Noon, a programme of three new plays by Jenny Ayres, Emma Harding, and Morna Young, each of which reacts to one of Coward's Tonight at 8.30 plays, and responds to it in a contemporary voice.
Jermyn Street Theatre Announces 4-Month The Reaction Season
by Stephi Wild
- Feb 13, 2018
Jermyn Street Theatre announces The Reaction Season, its third as a producing theatre. Running from 10 April to 18 August, The Reaction Season will feature 15 plays and musicals - 12 of them one-act - based around themes of reacting and re-enacting.
BWW Review: MAD AS HELL, Jermyn Street Theatre
by Cindy Marcolina
- Feb 10, 2018
Peter Finch and Eletha Barrett's relationships scandalised Hollywood and lead the actor to an Academy Award-winning performance in the 1976 film Network. Written by Cassie McFarlane and Adrian Hope, Mad as Hell is a brash and provocative piece of theatre.
Photo Flash: In the Rehearsal Room for Rose Theatre Kingston's ALICE IN WINTERLAND
by Stephi Wild
- Nov 21, 2017
Featuring magically evocative music and strikingly imaginative designs, puppetry and projections, this spectacular new stage production of Lewis Carroll's timeless books takes the audience into a fairy-tale land of wonder and adventure. The production features professional actors alongside members of the Rose Youth Theatre. Check out photos from the rehearsal room below!
SHOWSTOPPER! THE IMPROVISED MUSICAL Enters Fourth Year in the West End
by BWW News Desk
- Nov 1, 2017
A new musical is born at every performance of Showstopper! The Improvised Musical, each created on the spot by the incredible, multi-award winning musical comedians The Showstoppers. The show has just announced 2018 dates, entering its fourth year in the West End.
Casting Announced for THE REAL THING
by A.A. Cristi
- Aug 7, 2017
Theatre Royal Bath Productions, Cambridge Arts Theatre and Rose Theatre Kingston are delighted to announce full casting for Tom Stoppard's poignant classic The Real Thing, directed by Stephen Unwin, which today began rehearsals ahead of its limited UK tour from 6 September.
Daniel Clarkson's New Comedy KING KONG to Terrorise London this Summer!
by BWW News Desk
- Apr 28, 2017
Ever since Fay Wray first charmed the great gorilla in the original 1933 film, King Kong has been a byword for epic cinema, challenging successive filmmakers to outdo the last with bigger and better special effects to impress and terrify audiences in equal measure.
Olivier Award Winning SHOWSTOPPER! THE IMPROVISED MUSICAL Celebrates 800th Performance
by Julie Musbach
- Feb 19, 2017
In 2015 SHOWSTOPPER! THE IMPROVISED MUSICAL had its West End premiere in an Olivier Award winning season. New musicals created on the spot by the incredible, multi award-winning musical comedians The Showstoppers. On Monday 20th February Showstopper! The Improvised Musical celebrates a musical theatre milestone- they will be playing their 800th show.
BWW Review: LICENSED TO ILL, Southwark Playhouse, 2 December 2016
by Rona Kelly
- Dec 3, 2016
Jukebox musicals seem to be as popular as ever in the West End, using familiar songs to tell stories on stage. Mamma Mia! is coming close to two decades in London, and newcomers like Motown the Musical are extending their runs. With audiences returning year after year, there is unquestionably an audience for ABBA. Licensed to Ill raises a question which a different band faced: is there an audience for the Beastie Boys? When I first heard there was a musical about this hip-hop group, I'll admit I questioned whether there was an audience for the show itself. Well, 'Ch-Check It Out': there is. This evolution of the Beastie Boys is a revolution for the London stage and storytelling.
Casting and More for Jermyn Street's THE AUTUMN GARDEN
by Liz Cearns
- Sep 6, 2016
This October, Jermyn Street Theatre presents the UK premiere of The Autumn Garden by acclaimed US playwright, screenwriter and political activist Lillian Hellman. Nominated for the New York Critic's Circle Award and considered by many as her best work (above the better known Little Foxes and Children's Hour), the play opened on Broadway in 1951 to critical acclaim.
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