Susan Feldman News

St. Ann’s Warehouse will make a momentous return to full-capacity performances with Justin Vivian Bond and Anthony Roth Costanzo’s Only an Octave Apart, a theatrical concert coalescing wildly divergent genres and voices, directed by Zack Winokur and music-directed by Thomas Bartlett, for ten performances, September 21-October 3.

St. Ann’s Warehouse, capping a year in which they have activated their flexible Brooklyn waterfront theater by bringing art outdoors, will finally welcome artists and audiences back inside with two socially distanced concert presentations by The Bengsons, produced in partnership with longtime St. Ann’s collaborator piece by piece productions. 

St. Ann’s Warehouse will present Julian Alexander & Khadijat Oseni’s Supremacy Project, a public art project addressing the systemic oppression and violence BIPOC communities are fighting to end through art.

CEC ArtsLink. He co-curated the Crossing the Line Festival, the annual trans-disciplinary fall festival in New York City from 2008 to 2018.. He was previously Executive and Artistic Director of Dancing in the Streets in NYC, and Professor of Practice and Director of the School of Dance at Arizona State University.

New York, US, and international theatre artists, curators, researchers, and academics will talk daily during the week for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustand— the State of the World.

Now, as New York City struggles to get back on its feet after long COVID-19 shutdowns, and theaters are still months from being able to reopen, St. Ann's Warehouse, which turned 40 this year, has found a range of meaningful ways to program for New Yorkers and more far-flung audiences.

St. Ann's Warehouse will stream Simon McBurney's The Encounter for free, available to the public on Friday, May 15 (2pm EST) through Friday, May 22 (5pm EST). A live discussion and public Q&A will take place on Wednesday, May 20 at 2:30pm EST (7:30pm BST) with Simon McBurney and guests.

On April 2, St. Ann's Warehouse and Good Chance will bring The Jungle, which they have newly repurposed for touring, back to St. Ann's Warehouse, where it made its triumphant, sold-out American Premiere last season in a co-production with the National Theatre and the Young Vic.

St. Ann's Warehouse continues its 40th Anniversary Season December 4-19 with the American Premiere of Keep, the latest solo work by the a?oeconsistently and enthrallingly surprisinga?? a?oemonologuist extraordinairea?? Daniel Kitson (Ben Brantley, The New York Times). The British storyteller and comedian has a rich, decade-long shared history with St. Ann's, which has presented four beloved Kitson works, including The Interminable Suicide of Gregory Church (2011), It's Always Right Now, Until It's Later (2012), Analog.Ue (2013), and Mouse: The Persistence of an Unlikely Thought (2016). Kitson describes Keep, the latest entry in his singular body of work, as a story about a?oethe stuff in my house and the thoughts in my head.a??

St. Ann's Warehouse and Good Chance present The Jungle, a Good Chance co-production with the National Theatre and the Young Vic that is back by popular demand following a completely sold-out American Premiere last season, beginning April 2, 2020. The production will then tour the U.S. in Spring / Summer 2021; details will be announced at a later date.

In 2020, St. Ann's Warehouse celebrates four decades of introducing some of the world's most innovative artists and productions to American audiences. First established at the National Landmark Church of St. Ann and the Holy Trinity (1980-2000), the organization has thrived since 2015 in its spectacular, infinitely reconfigurable permanent home on the Brooklyn Bridge Park waterfront.

Works & Process, the performing arts series at the Guggenheim,presents excerpts from the St. Ann's Warehouse and Eva Price presentation of the Bard SummerScape production of Rodgers & Hammerstein's Oklahoma! on Monday, October 22, 2018 at 7:30pm.

St. Ann's Warehouse today reveal the cast and creative team for the Bard SummerScape production of Daniel Fish's reimagining of Rodgers and Hammerstein's landmark 1943 musical Oklahoma!, which kicks off the seasonon September 27, having first been staged by Bard's Fisher Center in 2015.

St. Ann's Warehouse will present the U.S. Premiere of The Jungle, the immensely acclaimed Good Chance Theatre co-production with the National Theatre and Young Vic. Currently opening a five-month run at London's Playhouse Theatre on the West End, The Jungle comes to St. Ann's beginning December 4, 2018.

St. Ann's Warehouse welcomes back the Donmar Warehouse to present the American screen premieres of their acclaimed, visceral all-female Shakespeare Trilogy-Julius Caesar, Henry IV, and The Tempest-directed by Phyllida Lloyd, May 31-June 3.

Sundance Institute's Theatre Lab kicks off on May 6th, and today announced this year's participating acting company and creative advisors. The Lab, which runs through May 27 at the Fellah Hotel outside Marrakech, Morocco, is supervised by Artistic Director Philip Himberg and Producing Director Christopher Hibma, and is the centerpiece of the Institute's year-round work with the theatre community, alternating locations between Sundance Resort in Utah and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists writing in English and Arabic.

Third Annual Onassis Festival, Produced by Onassis Cultural Center New York, Surrounds the American Premiere of Greek Director Nikos Karathanos's Vibrant Restaging of The Birds, Presented by St. Ann's Warehouse and Onassis Cultural Centre-Athens, May 2-13

St. Ann's Warehouse welcomes back the Donmar Warehouse to present the American screen premieres of their acclaimed, visceral all-female Shakespeare Trilogy-Julius Caesar, Henry IV, and The Tempest-directed by Phyllida Lloyd, May 31-June 3. In 2016, following a 13-week final repertory season, the plays were filmed in front of a live audience in London and edited for the screen to include separately shot, hand-held and GoPro footage breaking the formality of the traditional live camera "capture" of stage productions.

St. Ann's Warehouse and Onassis Cultural Centre-Athens present the American Premiere of Nikos Karathanos' The Birds, a modern, feast-for-the-senses adaptation of Aristophanes' offbeat and poetic comedy.

St. Ann's Warehouse presents Baxter Theatre Centre's The Fall, a vital new production devised collaboratively by a group of University of Cape Town graduates, re-enacting their revolt against a fraught symbol looming over their campus: a statue of 19th century colonialist Cecil Rhodes.