Steve Mark News

After BroadwayWorld launched its New York Cabaret Awards in 2012, the cabaret section's editors realized that the selected categories and the popular vote nature of the election didn't adequately recognize some great performances and shows for that particular year. So in 2013, BWW added "Editor's Choice Awards" to the mix to not only reward special performances but also to acknowledge people who have helped grow cabaret and foster the spirit of the art form. This year, BWW New York Cabaret Editor Stephen Hanks and his reviewing staff-including Alix Cohen, David Clarke, Billie Roe, Rembert Block, and John Hoglund-selected seven stars of cabaret for this special honor. Now that the Awards for 2015 performances and shows are official, we wanted to tell you a bit about this year's "Editor's Choice Award" winners and offer them a chance to thank the New York cabaret community. Congratulations to all these worthy Award recipients.

Greenwich Theatre has already sold more tickets for Red Riding Hood than for the whole of the run of Jack and the Beanstalk last year - and there are no signs of slowing down.

The New Group has announced complete casting for the Off-Broadway premiere of Philip Ridley's Mercury Fur, the production launching the company's upcoming season, and initial casting for the world premiere of Mark Gerrard's Steve, the second production in the company's 2015-2016 season.

The New Group has announced three productions for its 2015-2016 Season.  The company's new season kicks off in Summer 2015 with the Off-Broadway premiere of Philip Ridley's Mercury Fur, directed by Scott Elliott.  The season continues in Fall 2015 with the world premiere of Mark Gerrard's Steve, with director Cynthia Nixon returning to The New Group, where she made her directorial debut earlier this year.  In Winter 2016, Scott Elliott directs Sam Shepard's Pulitzer Prize-winning play, Buried Child, featuring Ed Harris and Amy Madigan, who return to The New Group with this production.

At Saturday night's 14th Annual Midsummer Night Drinks more than 400 friends and supporters gathered at the stunning Southampton home of Kelly Behun and Jay Sugarman for a wonderful evening of fun, food and cocktails, all benefiting God's Love We Deliver. This signature event supports one of New York City's most beloved charities, the only organization of its kind that cooks and home delivers nutritious meals to clients living with severe illnesses, their children and senior caregivers. Scroll down for photos!

Good Theater kicks off its 12th season with the 2012 Tony Award winning Best Play CLYBOURNE PARK by Bruce Norris, playing tonight, October 2-27, at the St. Lawrence Arts Center, 76 Congress Street, Portland. BroadwayWorld has a first look at the cast in action below!

New York's Rattlestick Playwrights Theater presents its Los Angeles premiere of the critically-acclaimed play Slipping, written and directed by Daniel Talbott, which began previews Thursday, April 4, 2013 at Elephant Stages' Lillian Theatre in Hollywood, Calif. and will run through May 5, 2013. The opening night party for Slipping, the first Los Angeles production from Rattlestick, was held at the Elephant Stages' Lillian Theatre on Saturday, April 13, 2013 in Los Angeles, Calif. Scroll down for photos from the celebrations!

Cast and creative team members held a panel for 'The League' at the FX summer Television Critics Association press tour in Beverly Hills, California on August 3, 2010. BroadwayWorld brings you full coverage below!

A multiple Daytony award winning performer, producer, and director, Barbara Coriell is a well known Dayton Playhouse alum who auditioned for - but was not cast in - the Playhouse's first production of Streetcar. She brings to us her talent and expertise in a production of Tennessee Williams most famous play, A Streetcar Named Desire. This play was selected by our audience, as were all of the shows this season, to help us celebrate our 50th anniversary. This will also be the first show which will use our new online ticketing system. This ticketing system is part of the success our fundraising campaign has brought to the Dayton Playhouse, enabling us to bring you another 50 years of great entertainment.

A Streetcar Named Desire by Tennessee Williams runs March 20 - April 5, 2009 at Dayton Playhouse The play reveals to the very depths the character of Blanche du Bois, a woman whose life has been undermined by her romantic illusions, which lead her to reject-so far as possible-the realities of life with which she is faced and which she consistently ignores. The pressure brought to bear upon her by her sister, with whom she goes to live in New Orleans, intensified by the earthy and extremely 'normal' young husband of the latter, leads to a revelation of her tragic self-delusion and, in the end, to madness.

A multiple Daytony award winning performer, producer, and director, Barbara Coriell is a well known Dayton Playhouse alum who auditioned for - but was not cast in - the Playhouse's first production of Streetcar. She brings to us her talent and expertise in a production of Tennessee Williams most famous play, A Streetcar Named Desire. This play was selected by our audience, as were all of the shows this season, to help us celebrate our 50th anniversary. This will also be the first show which will use our new online ticketing system. This ticketing system is part of the success our fundraising campaign has brought to the Dayton Playhouse, enabling us to bring you another 50 years of great entertainment.

A Streetcar Named Desire by Tennessee Williams runs March 20 - April 5, 2009 at Dayton Playhouse The play reveals to the very depths the character of Blanche du Bois, a woman whose life has been undermined by her romantic illusions, which lead her to reject-so far as possible-the realities of life with which she is faced and which she consistently ignores. The pressure brought to bear upon her by her sister, with whom she goes to live in New Orleans, intensified by the earthy and extremely 'normal' young husband of the latter, leads to a revelation of her tragic self-delusion and, in the end, to madness.