Photo Flash: Guthrie Theatre's H.M.S PINAFORE
by Nicole Rosky
- Jun 20, 2011
The Guthrie Theater today announced complete casting for Gilbert and Sullivan's H.M.S. Pinafore, which drops anchor on the Wurtele Thrust Stage June 18 - August 28, 2011. Guthrie Artistic Director Joe Dowling helms this splash hit musical which, as previously announced, will feature Twin Cities actor/singers Robert O. Berdahl and Christina Baldwin as Captain Corcoran and Little Buttercup, respectively. Joining the pair will be Constantine Germanacos (Ralph Rackstraw), Seri Johnson (Cousin Hebe), Heather Lindell (Josephine), Jason Simon (Dick Deadeye) and J. Tyler Whitmer (Bob Becket) - all five making their Guthrie debuts - in addition to Robb McKindles (Bill Bobstay) and Peter Thomson (Sir Joseph Porter).
Chanhassen Dinner Theater Closes ALL SHOOK UP, 1/29
by BWW News Desk
- Jan 29, 2011
Chanhassen Dinner Theatres is thrilled to produce another new show to its Main Stage -- ALL SHOOK UP! Called the 'best retro rock show since Grease,' ALL SHOOK UP opens on the Main Stage to previews from August 6 -19, with grand opening festivities on Friday, August 20.
Chanhassen Dinner Theater Presents ALL SHOOK UP, 8/6-1/29
by BWW
News Desk
- Aug 6, 2010
Chanhassen Dinner Theatres is thrilled to produce another new show to its Main Stage -- ALL SHOOK UP! Called the 'best retro rock show since Grease,' ALL SHOOK UP opens on the Main Stage to previews from August 6 -19, with grand opening festivities on Friday, August 20.
Chanhassen Dinner Theater Presents ALL SHOOK UP, 8/6-1/29
by Nicolas Coburn
- Aug 3, 2010
Chanhassen Dinner Theatres is thrilled to produce another new show to its Main Stage -- ALL SHOOK UP! Called the 'best retro rock show since Grease,' ALL SHOOK UP opens on the Main Stage to previews from August 6 -19, with grand opening festivities on Friday, August 20.
The Spickner Spin
by Michael Dale
- Aug 20, 2004
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When you go to a fringe theatre festival it's expected you'll be choosing your entertainment from an assortment of one-person plays, avant-guarde pieces, multi-media productions and cutting edge social commentaries. In such an atmosphere, perhaps the most experimental type of theatre piece you can do nowadays is a traditionally structured, show-tune laden book musical with a ten piece orchestra (no synthesizers), a full singing/dancing/acting chorus and a plot that lightheartedly spoofs American politics without holding a particular politician or party up to ridicule.
Back in the 1930's, before Saturday Night Live and The Onion, theatregoers would often get their political satire by taking in the latest hit Broadway musical. But shows like I'd Rather Be Right and Leave It to Me, big hits in their day, would be quickly be considered unrevivable because, as satire, the issues they dealt with dated quickly. But one exception was the Pulitzer Prize winning Of Thee I Sing, which eschewed taking it's plot from the latest headlines and instead explored the timeless theme of swaying public sympathy. That silly, gentle-humored spirit is re-created in Seth Bisen-Hersh (music and lyrics) and Daniel Scribner's (book and lyrics) charming gumdrop of a musical, The Spickner Spin.
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