Photo Flash: Meet the Cast of Radial Theater Project's AISLE 9, Beg. Tonight
by BWW News Desk
- Sep 18, 2013
Radial Theater Project presents AISLE 9, a new play to be performed at the 2013 Seattle Fringe Festival. AISLE 9 will be performed at Annex Theatre, 1100 E. Pike St. (11th Ave. at E. Pike St.), Seattle, WA. Performance dates and times: TONIGHT, 9/18: 7:30pm Thursday, 9/19: 6:00pm Saturday, 9/21: 6:30pm Sunday, 9/22: 3:30pm. BroadwayWorld has a first look at the cast below!
Photo Flash: Meet the Cast of Radial Theater Project's AISLE 9
by BWW News Desk
- Sep 11, 2013
Radial Theater Project presents AISLE 9, a new play to be performed at the 2013 Seattle Fringe Festival. AISLE 9 will be performed at Annex Theatre, 1100 E. Pike St. (11th Ave. at E. Pike St.), Seattle, WA. Performance dates and times: Wednesday, 9/18: 7:30pm Thursday, 9/19: 6:00pm Saturday, 9/21: 6:30pm Sunday, 9/22: 3:30pm. BroadwayWorld has a first look at the cast below!
SANDBOX RADIO LIVE: THE NAKED TRUTH Set for West of Lenin Tonight
by BWW News Desk
- Jul 29, 2013
Werner Heisenberg gave us the uncertainty principal, the essence of which is, you can't know everything about everything. A few decades later, Kurt Godel proved-literally proved with MATH-that some truths cannot be proven. If science and mathematics seem to be telling us anything, it's that the truth likes to keep its clothes on. Butnothing gets things naked like art can. Come watch us strip it all down to the gist...
SANDBOX RADIO LIVE: THE NAKED TRUTH Set for West of Lenin, 7/29
by Kristin Salaky
- Jul 15, 2013
Werner Heisenberg gave us the uncertainty principal, the essence of which is, you can't know everything about everything. A few decades later, Kurt Godel proved-literally proved with MATH-that some truths cannot be proven. If science and mathematics seem to be telling us anything, it's that the truth likes to keep its clothes on. Butnothing gets things naked like art can. Come watch us strip it all down to the gist...
BWW Reviews: Annex's A MOUSE WHO KNOWS ME Should Go Back To the Lab
by Jay Irwin
- Oct 23, 2012
In "The Music Man" Professor Hill teaches the school board how to sing by explaining to them that singing is just sustained talking. Unfortunately the creators of Annex Theatre's current production "A Mouse Who Knows Me" need to be explained that the same does not go for songwriting as many of the numbers in their world premiere musical about laboratory mice seemed to simply be sung dialog. This ultimately led to a cute show that droned on.
A MOUSE WHO KNOWS ME Musical to Play Annex Theatre, Now thru 11/17
by BWW News Desk
- Oct 19, 2012
There have been cocktails, there have been capes, there have been cages full of kittens, and now, for the final main stage offering of Annex Theatre's 25th Anniversary Season, there will be critters, and control groups, and caterwauling. A Mouse Who Knows Me is a fully fledged original musical, with book and lyrics by Scotto Moore and music by Robertson Witmer. It has been in development for the past year, and is now deemed safe for public consumption.
A MOUSE WHO KNOWS ME Musical to Play Annex Theatre, 10/19-11/17
by BWW News Desk
- Oct 13, 2012
There have been cocktails, there have been capes, there have been cages full of kittens, and now, for the final main stage offering of Annex Theatre's 25th Anniversary Season, there will be critters, and control groups, and caterwauling. A Mouse Who Knows Me is a fully fledged original musical, with book and lyrics by Scotto Moore and music by Robertson Witmer. It has been in development for the past year, and is now deemed safe for public consumption.
Radial Theater Project Extends 99 LAYOFFS at ACT thru Aug 26
by BWW News Desk
- Aug 20, 2012
Due to extraordinary demand, Radial Theater Project announces an added performance of Vincent Delaney's 99 Layoffs at ACT Theatre. The final performance of 99 Layoffs will now be on Sunday, August 26 at 7:30pm.
Photo Flash: First Look at Radial Theater's 99 LAYOFFS
by BWW News Desk
- Aug 17, 2012
Radial Theater Project presents 99 Layoffs, a new play by Seattle-based playwright Vincent Delaney. The world premiere of 99 Layoffs is a co-production with ACT Theatre's Central Heating Lab, presented August 2-25, 2012 in ACT's Eulalie Scanduzzi Performance Space (the "Lalie"). BroadwayWorld has a first look at the production below.
BWW Reviews: 99 LAYOFFS at ACT Gets Mired in its Own Joke
by Jay Irwin
- Aug 3, 2012
You know that friend of yours whose entire life is one big ball of negativity. We all have them (or maybe you are them). That person who constantly goes on about his tale of woe yet can never seem to learn anything from past mistakes. But you let him go on as you like him for some reason. That's what the new play "99 Layoffs" by Vincent Delaney at ACT felt like to me, a couple of likable yet pathetic characters who never grow and ultimately go nowhere.
ACT To Present 99 LAYOFFS, 8/2
by BWW
News Desk
- Aug 2, 2012
Radial Theater Project presents 99 Layoffs, a new play by Seattle-based playwright Vincent Delaney. The world premiere of 99 Layoffs is a co-production with ACT Theatre's Central Heating Lab, presented August 2-25, 2012 in ACT's Eulalie Scanduzzi Performance Space (the "Lalie").
ACT To Present 99 LAYOFFS, 8/2
by Tyler Peterson
- Jul 26, 2012
Radial Theater Project presents 99 Layoffs, a new play by Seattle-based playwright Vincent Delaney. The world premiere of 99 Layoffs is a co-production with ACT Theatre's Central Heating Lab, presented August 2-25, 2012 in ACT's Eulalie Scanduzzi Performance Space (the "Lalie").
BWW Reviews: THE HAPPY ONES at Seattle Public Theater
by BWW
News Desk
- Apr 10, 2011
Seattle Public Theater is presenting the Northwest premiere of Julie Marie Myatt's drama "The Happy Ones". And while I appreciated the performances in the production I didn't really feel the play went anywhere.
BWW Reviews: THE HAPPY ONES at Seattle Public Theater
by Jay Irwin
- Mar 21, 2011
Seattle Public Theater is presenting the Northwest premiere of Julie Marie Myatt's drama "The Happy Ones". And while I appreciated the performances in the production I didn't really feel the play went anywhere.
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