Interview: VARLA JEAN MERMAN of STAND BY YOUR DRAG at MATCH
by Brett Cullum
- Apr 28, 2024
I live in Florida, and I love Florida; Florida has amazing people and an amazing LGBTQ community, but, as you know, the government really isn't on our side there. When the drag bans started to happen, it really freaked you out because it happened like suddenly you weren't allowed to perform outside in Florida. People didn't know this happened, but many of the Pride Celebrations in Florida were canceled.
Peacock Orders New Scripted Projects From James Wan, Simu Liu, NBA's Stephen Curry & DR. DEATH Producers
by Michael Major
- Feb 14, 2024
These four series join Peacock's roster of anticipated content, including APPLES NEVER FALL, HYSTERIA!, THE TATTOOIST OF AUSCHWITZ, THOSE ABOUT TO DIE, FIGHT NIGHT: THE MILLION DOLLAR HEIST, WE ARE LADY PARTS S2, TEACUP, and THE DAY OF THE JACKAL as well as recent Peacock Originals including TED, POKER FACE, BUPKIS, and more.
Review: ILLINOISE at Chicago Shakespeare Theater
by Rachel Weinberg
- Feb 5, 2024
ILLINOISE is a journey through our great state of Illinois using movement. Directed and choreographed by Justin Peck and featuring music and lyrics from Sufjan Stevens’s ILLINOIS album, the show uses dance as its primary narrative language. Peck collaborated with playwright Jacke Sibblies Drury on a loose storyline for ILLINOISE, but that story is communicated entirely through dance. Stevens’s lyrics underscore the situations in the show and mirror the emotional shades of the choreography.
Shakespeare's TWELFTH NIGHT Receives A Bluegrass Makeover At The Madnani Theatre
by A.A. Cristi
- Feb 1, 2024
Step into the light of your purest (or most muddled) desire and join us for a fiddle-rompin', bluegrass stompin' adaptation of a timeless, merry classic. Hyperactive Studios is thrilled to present a re-imagining of Shakespeare's Twelfth Night, opening next weekend at The Madnani Theatre in Hollywood.
Review: BALLET WEST: THE NUTCRACKER at Kennedy Center
by Roger Catlin
- Nov 25, 2023
The first Nutcracker appear at the Kennedy Center this year is from Ballet West, based in Salt Lake City. And as brisk and fresh as it feels, it comes as something of a surprise that its lineage goes back to the very first U.S. performance of what’s become the most popular ballet in the country by far.
Andre 3000 to Release Debut Solo Album 'New Blue Sun' This Friday
by Michael Major
- Nov 14, 2023
Co-produced by Benjamin and lauded multi-instrumentalist Carlos Niño, and featuring the playing of Nate Mercereau, Surya Botofasina, Deantoni Parks, Diego Gaeta, Matthewdavid, V.C.R, Diego Gaeta, Jesse Peterson, and Mia Doi Todd, New Blue Sun is an entirely instrumental album centered around woodwinds.
The Extreme Music Awards to Launch In January
by Michael Major
- Oct 31, 2023
Announcing The Extreme Music Awards - Get the latest news on the upcoming Extreme Music Awards, celebrating the best in extreme music. Find out who's nominated and stay tuned for the winners! Assembling the team of RadioRadioX, Capital Underground, That Fuzzing Rock Show and 518Scene.com set the wheels in motion.
Video: True Crime Duo SKYND Share 'Bianca Devins' Video
by Michael Major
- Oct 19, 2023
True Crime Duo SKYND shares their new 'Bianca Devins' video, highlighting their unique storytelling approach. Watch the video now. SKYND begin Chapter V, with the release of new track 'Bianca Devins' and its official video.
EDINBURGH 2023: Review: DARK NOON, Pleasance at EICC, Lennox Theatre
by Kat Mokrynski
- Aug 31, 2023
Dark Noon’s description states “They say history is told by the victors; this story is told by the vanquished.” The show is a “brutal recreation of the Wild West” of the United States of America. As someone who grew up in the States, I am quite familiar with the glorified tales of the settling of the West.
Review: LOVE ALL at La Jolla Playhouse
by Evan Henerson
- Jun 19, 2023
As creatively at home as Anna Deavere Smith has been delving into multiple perspectives on the Crown Heights riots of 1991 and the fallout from the Rodney King verdicts of 1992, a traditionally-structured play – even one about a figure as arresting as Billie Jean King - may not be in her artistic wheelhouse.
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