Heidi Bohnenkamp News

The new musical Daddy Long Legs will have an open-ended run at the Davenport Theatre (354 West 45th Street) and officially earlier this week, on September 28, 2015. BroadwayWorld takes you inside the special night below!

With their sixth production in the three-year life of the company, Dark & Stormy once again delivers a short, intense, well-acted and directed play in an unconventional space. But EXTREMITIES has none of the dark humor that could be found in some of their past shows. It's all violence and drama and complex moral questions. This 1982 Broadway play turned 1986 movie starring Farrah Fawcett explores the weighty themes of sexual violence, power, and justice. There's no clear winner in this story, no obvious right and wrong, just a lot of grey area, where most of us live. Each of these four characters, beautifully portrayed by this excellent cast, is at times sympathetic and at times infuriating in their words and choices. More than 30 years after it was written, EXTREMITIES is as relevant and topical as ever.

Dark & Stormy Productions today announces the producers, venue, and partners for its upcoming production of Extremities by William Mastrosimone. Previously, Dark & Stormy has presented Outside Providence by Edward Allan Baker, Speed-the-Plow by David Mamet, The Receptionist by Adam Bock, The Drunken City by Adam Bock, and The Hothouse by Harold Pinter. Extremities will be the first production of Dark & Stormy's 2015 season.

What do you get when you combine a talented young playwright, an excellent cast that includes five up-and-coming actors and two beloved veterans of local stages, stirring a capella gospel music arranged by a local musical legend, and the Twin Cities' best director of 'theater musically?' You get CHOIR BOY, a lovely and affecting play about a young gay man coming of age in an African American boarding school. The playwright is Tarell Alvin McCraney of the excellent Brother/Sister trilogy that Pillsbury House Theatre has produced in its entirety in the last several years. While those plays have an epic, mythical quality, CHOIR BOY is more grounded in reality, but just as beautifully written. Add in musical direction and arrangement by Sanford Moore and direction by Peter Rothstein, an expert at using music in the best possibly way to enhance the theatrical storytelling, and you have something quite special going on in the Guthrie's Dowling Studio.

Dark & Stormy Productions today announces the producers, venue, and partners for its upcoming production of Extremities by William Mastrosimone. Previously, Dark & Stormy has presented Outside Providence by Edward Allan Baker, Speed-the-Plow by David Mamet, The Receptionist by Adam Bock, The Drunken City by Adam Bock, and The Hothouse by Harold Pinter. Extremities will be the first production of Dark & Stormy's 2015 season.

I first saw the Stephen Sondheim/James Lapine musical fairy tale mash up INTO THE WOODS four years ago, and have seen it several times since then, including the recent star-studded movie. Every time I see it I like it more. I think Sondheim is like Shakespeare in that it has a very specific rhythm and cadence to it that takes a minute to get used to, but the more time you spend with it, the richer and deeper it becomes. Such has been my experience with INTO THE WOODS, so I was primed to love my favorite theater company Theater Latte Da's production of it. But it has exceeded my expectations, and even Sondheim newbies will be enthralled by this brilliant staging of a brilliantly written musical. Latte Da has pared down this big Broadway musical to something that feels intimate and innovative, using a small cast and orchestra, and inventive and thoughtful choices in every detail of the production. This, my friends, is Broadway re-imagined, or at least how I would like to see Broadway re-imagined. Simply put, it's sublime.

Theater Latte Da and Hennepin Theatre Trust have formed a beautiful partnership called 'Broadway Re-Imagined,' in which they combine the resources of the Trust with the creativity and innovation of Latte Da to produce a Broadway-sized musical with all local talent and that special Latte Da twist. After the powerful rock musical Aida and the brilliant Ivey Award-winning Cabaret, they return this year with Oliver!, the 1960 musical based on Charles Dickens' novel Oliver Twist. But don't let all those adorable moppets dancing around the stage and singing upbeat tunes fool you. Oliver! is not a light and fluffy happy musical, well, not solely anyway. It's also a dark and somber look at such serious issues as child abuse and neglect, the desperation of poverty, and violence. But fortunately, after all the death and darkness, the curtain call ends with a reprise of a happy number, so we can all leave the theater with that happy musical feeling. But perhaps we also leave with a deeper thought about the relevance and seriousness of what we just saw, wrapped up in a gorgeous musical theater package, to ponder further at a later date.

Friends, the future of Minnesota theater, and perhaps American theater, is here. It can currently be seen in the Guthrie Theater's 9th floor Dowling Studio, where a group of smart, talented, ambitious, dedicated, hard-working young music-theater artists have created a beautiful new original musical, based on the biblical story of Jonah. It's everything I want theater to be - fresh, innovative, delightful, heart-breaking, inspiring, genuine, and epic. This is 7th House Theater's fourth production in less than two years, and they continue to explore new ideas and push the boundaries of what theater can be. They've proven themselves with three low-budget but high-quality productions, and now have the resources of the Guthrie behind them to expand even further in this production. The result is beautiful and breath-taking. If 7th House is the future of theater, we're in good hands.

Actor Sal Viscuso never turns down a challenge, which may explain his long career on stage, film and television, where many audience members will recall him from diverse roles. Most recently, he's seen on 'SCANDAL' with director of A STEADY RAIN, Jeff Perry. BWW Minneapolis learned a bit more about him in this interview.

As Theater Latte Da's OUR TOWN heads into the final week, trumpet player turned leading man, David Darrow, reminds us that he's much more than a pretty set of abs. He's actually just a normal guy who likes to act and is somehow making it work in this town.

Critics are calling OUR TOWN 'stunning,' 'a vibrant creation' and 'an absolutely immersive experience'!

My tiny companion, Mia (she's 5-years-old) is sitting in a chair, staring intently at the stage-as she does when she's completely engaged-watching Chanhassen Dinner Theatre's regional premiere of THE LITTLE MERMAID. And just like that, I knew that no matter how I felt, Chanhassen Dinner Theatre's THE LITTLE MERMAID was a success.

Intriguing 'what if' play about an imaginary meeting between Sigmund Freud and C.S. Lewis that raises important questions of our existence. Catch the final week in the Guthrie's Dowling Studio.

Chanhassen Dinner Theatres excitedly unveils a SouthWest Transit Bus all covered in 'Mermaid' to celebrate its Midwest Premiere of Disney's The Little Mermaid, which enjoyed its grand opening on Friday evening, March 7. The bus will be on display as guests arrive at the theatre. Check it out below!

Everyone has a love story they can pull from their memory, which is why everyone can relate this show. But this is not about my love story or your own love story, this is about Cathy and Jamie and THE LAST FIVE YEARS. This is about their love story.

It's opening night of David Goldstein's SKIING ON BROKEN GLASS at the Guthrie and as the play forms around me, it feels all too familiar-a love that makes no sense, an escort, unsupportive peers, and a constant battle of conscience. The play is just a little expected but in the end it leaves you with something to chat about by the water cooler and captures a few very real moments that make it all worthwhile.

The Acting Company and the Guthrie Theater present a national tour of Shakespeare's As You Like It running from January through April 2013. Rehearsing in New York, performances began at the Guthrie Theater in Minneapolis on January 13 and will run through February 4 before leaving on a cross country tour to 29 cities in 22 states. It will play at New York's famed New Victory Theater March 1-10. Dan Rothenberg, Artistic Director of Philadelphia's Pig Iron Theatre has directed Shakespeare's lushly lighthearted comedy. BroadwayWorld has a first look at the production below.

The Guthrie Theater's splash-hit production of Gilbert and Sullivan's H.M.S. Pinafore boasts critically acclaimed choreography and musical staging by David Bolger, whose fancy footwork has been heralded by critics as 'arresting,' 'breathtaking,' and 'awesome.'

Manhattan Theatre Club's new Broadway production of Terrence McNally's MASTER CLASS, directed by Stephen Wadsworth, opens tonight at MTC's Samuel J. Friedman Theatre (261 West 47th Street). The limited engagement was recently extended due to popular demand with tickets now on sale through Sunday, August 21.