Erin Felgar, Kate Roberts Set for Colt Coeur's (DON'T) LOOK AT ME Reading, 3/7
by BWW News Desk
- Mar 7, 2011
Colt Coeur's PLAY HOTEL will present a staged reading of (Don't) Look At Me by Molly Goforth featuring direction by directed by Adrienne Campbell-Holtwith: Katya Campbell, Curzon Dobell, Erin Felgar, Meredith Holzman, Eric Loescheider and Erin Felgar and Kate Roberts of BLOODY BLOODY ANDREW JACKSON.
Erin Felgar, Kate Roberts Set for Colt Coeur's (DON'T) LOOK AT ME Reading, 3/7
by Nicole Rosky
- Mar 4, 2011
Colt Coeur's PLAY HOTEL will present a staged reading of (Don't) Look At Me by Molly Goforth featuring direction by directed by Adrienne Campbell-Holtwith: Katya Campbell, Curzon Dobell, Erin Felgar, Meredith Holzman, Eric Loescheider and Erin Felgar and Kate Roberts of BLOODY BLOODY ANDREW JACKSON.
Studio 42 to Present Shukert's and Jones's THE SPORTING LIFE, 9/10
by BWW
News Desk
- Sep 9, 2010
Studio 42's blog has announced the casting for the company's upcoming production of THE SPORTING LIFE, a new play by Nick Jones and Rachel Shukert. The production will feature direction by Stephen Brackett, music by Joe Iconis, and choreography by Marlo Hunter.
Studio 42 to Present Shukert's and Jones's THE SPORTING LIFE, 9/10
by Abigail Arnold
- Sep 3, 2010
Studio 42's blog has announced the casting for the company's upcoming production of THE SPORTING LIFE, a new play by Nick Jones and Rachel Shukert. The production will feature direction by Stephen Brackett, music by Joe Iconis, and choreography by Marlo Hunter.
Electric Pear Productions Announces New Season and Wild Project Residency
by Faetra Petillo
- Sep 8, 2008
Electric Pear Productions (Melanie Sylvan and Ashlin Halfnight, Co-Executive Producers) announces its 2008/2009 series and residency at The Wild Project (195 East Third Street, between Avenues A & B), New York City's first and only eco-consciously designed theater
'Bloody Bloody Andrew Jackson,' Yea... Whatever
by James Sims
- Jan 22, 2008
Center Theatre Group's latest musical, Bloody Bloody Andrew Jackson, has a central message, and it is rather simple, f@$k theatrical conventions. Thanks to the progressive nature of recent offerings including Spring Awakening and the soon to open Passing Strange, Broadway has been breaking away from tradition with rock music infiltrating the stage and concert style staging springing up...
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