Ari Roth News

The first show of Mosaic Theater's third season, The Devil's Music: The Life and Blues of Bessie Smith, has been officially extended through October 1.

Aaron Davidman's innovative one-man play Wrestling Jerusalem, which has toured North America for four years including multiple sold-out performances at 59E59 in New York City in 2016, has made the leap to the silver screen in a film directed by Dylan Kussman and will have its New York theatrical premiere at the Leonard Nimoy Thalia at Symphony Space.

Aaron Davidman's innovative one-man play Wrestling Jerusalem, which has toured North America for four years including multiple sold-out performances at 59E59 in New York City in 2016, has made the leap to the silver screen in a film directed by Dylan Kussman and will have its New York theatrical premiere at the Leonard Nimoy Thalia at Symphony Space.

Today's subject Paige Hernandez is currently living her theatre life in a variety of ways. Her production company B-Fly Entertainment is going strong with several projects. She just wrote an opera that premiered at Glimmerglass Opera Festival and is now preparing to direct Queens Girl in Africa for Mosaic Theater Company. The production will run January 4 to February 4, 2018 at Atlas Performing Arts Center, but this Monday at 1:30 PM you can see a free reading of the play as part of Kennedy Center's annual Page-to-Stage Festival.

Mosaic Theater Company of DC, the 2017 Helen Hayes Award-winning theatre for Outstanding Emerging Company, will begin its 2017-2018 season with the Off-Broadway hit The Devil's Music: The Life and Blues of Bessie Smith. Written by Angelo Parra and performed by the indomitable Miche Braden (who also directed and arranged the music) and directed by Joe Brancato, this boisterous show featuring thirteen songs tells the story of Bessie Smith's final performance after she and her band are turned away from a whites-only theatre in 1937 Memphis. Previews begin August 24 with a press opening of Monday, August 28, and the show runs through September 24, with a potential extension week through October 1.

Mosaic Theater Company of DC, the 2017 Helen Hayes Award-winning theatre for Outstanding Emerging Company, proudly announces an expansion of its senior artistic leadership team with the addition of Victoria Murray Baatin as Associate Artistic Director.  The Mosaic Board has also recently elected Bill Tompkins as its Chair. Outgoing Board Chair Deborah Carliner, who has served Mosaic since its Inaugural Season, will continue to serve on the Board of Directors.

The Mosaic Theaatre Company closes its second season with a perfectly realized and humane play about real life in the Middle East precisely 50 years after the Israeli occupation of the West Bank.

BroadwayWorld has a full list of the Helen Hayes Awards winners updating LIVE below! Named for actor Helen Hayes - a Washington native and legendary First Lady of the American Theatre - the Helen Hayes Awards celebrates excellence in professional theatre throughout the Washington region and has become a hallmark recognized by theatre makers and theatre lovers far beyond Washington D.C.

Mosaic Theater Company of DC presents the culmination of its expansive and hugely successful second season with the 2017 Voices From a Changing Middle East Festival. This year's festival is of particular resonance in this 50th year since the Six Day War and the start of The Occupation, and focuses on two taut dramas about the lives, circumstances, and humanity of Palestinians in Israel and Gaza.

Today's subjects, Joy Zinoman and Logan Vaughn, are currently living their theatre lives over on H Street at Mosaic Theater Company. They are the directors for the company's current South Africa: Then & Now repertory, which is comprised of the Athol Fugard's classic Blood Knot and the newer A Human Being Died That Night by Pumla Gobodo-Madikizela and adapted for the stage by Nicholas Wright. The rep represents the old and the new. It's appropriate that Mosaic's genius Artistic Director Ari Roth has enlisted a veteran director of over 50 years and a hot up-and-coming director to bring the plays to vivid life onstage at the Atlas Performing Arts Center.

Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. Logan Vaughn returns to Mosaic for the second time this season to stage a companion South African drama, A HUMAN BEING DIED THAT NIGHT (April 6-30, 2017).

Photo Flash: Mosaic Theater Co Launches Rep with BLOOD KNOT

Mosaic Theater Company of DC announces its most ambitious and theatrically varied lineup to date with its 2017-18 season. Compelled to respond to changing and challenging times in our country, Season Three grapples with our current political climate, celebrating outspoken heroines (of fluid gender and sexuality) in two new musicals, while embracing documentary inspired reportage, sharp political and social satire, and stirring family drama. 

Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. The repertory launches with Athol Fugard's seminal masterpiece, BLOOD KNOT (March 29-April 30, 2017)-an intimate parable about a brotherhood devastated by the constraints of Apartheid-under the direction of Studio Theatre Founding Artistic Director Joy Zinoman, making her Mosaic Theater Company debut.

Mosaic Theater Company of DC announces key casting update for the regional premiere of Philip Dawkins' groundbreaking, Joseph Jefferson Award-winning CHARM (January 5-29, 2017). After conversations with lead artists and important feedback from members of the local and national transgender community, the principal role of 'Mama Darleena Andrews,' the inimitable transgender African American woman at the helm of an etiquette class for transgender and gender nonconforming youth, will be played by B'Ellana Duquesne (The T Party). KenYatta Rogers, originally slated for the role, will understudy Duquesne, and will support the production as Associate Director alongside director Natsu Onoda Power.

Mosaic Theater Company of DC's 'Clamorous Encounters' series about coming-of-age in America continues with Philip Dawkins' groundbreaking comedy-drama CHARM (January 5-29, 2017), under the direction of one of DC's most innovative directors, Natsu Onoda Power (The T Party, Wind Me Up Maria: A Go-Go Musical).

Mosaic Theater Company of DC announces key casting update for the regional premiere of Philip Dawkins' groundbreaking, Joseph Jefferson Award-winning CHARM (January 5-29, 2017). After conversations with lead artists and important feedback from members of the local and national transgender community, the principal role of 'Mama Darleena Andrews,' the inimitable transgender African American woman at the helm of an etiquette class for transgender and gender nonconforming youth, will be played by B'Ellana Duquesne (The T Party). KenYatta Rogers, originally slated for the role, will understudy Duquesne, and will support the production as Associate Director alongside director Natsu Onoda Power.

Mosaic Theater Company of DC's 'Clamorous Encounters' series about coming-of-age in America continues with Philip Dawkins' groundbreaking comedy-drama CHARM (January 5-29, 2017), under the direction of one of DC's most innovative directors, Natsu Onoda Power (The T Party, Wind Me Up Maria: A Go-Go Musical).

Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.

Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.