BroadwayWorld.com Seattle Stories

Bathhouse & SPT to Present DRACULA, 7/5-7

Wed, 19 Jun 2013 12:20:03 PST

The Bathhouse Ensemble (BE) and Seattle Public Theater (SPT) are proud to present Steven Dietz's adaptation of Bram Stoker's classic tale of horror and sensuality Dracula, directed by Ensemble member Simon Irving, running July 5-7, 2013 at the historic Bathhouse Theater on Green Lake.

"I'm excited about [Dietz's] Dracula because of the element of true melodrama that underlines it," says director Simon Irving. "At its core, Dracula (as a story) is a huge, outsized, sensual romance. I want our version to stay true to that core, drawing out the drama and above all the tragedy of its central figure. There's a seriousness and honesty within all of the characters that informs every decision they make. The intensity of these themes makes this script difficult for the youth program to tackle, but BE's group of young adult actors are perfect for this show."

Dracula features the work of Ensemble members Andrew Marques, Audrey Howell, Aviva Wynn, Brooks Donohue, Jessa Lowe, Maggie Williams, Murren Kennedy, Peter Durning, Will Lavely, Zach Sanders, Max Pagel, Erica Thomas, Kyna Shilling, and Francesco D'Aniello.

Dracula performs July 5 at 7:00pm, July 6 at 2:00pm and 7:00pm, and July 7 at 2:00pm. Tickets are free, with a suggested donation of $5-$10 to support the Ensemble. Tickets are available 30 minutes before showtime, with festival seating.

The Bathhouse Ensemble is a collective of young, dedicated theater artists who are alumni of SPT's education program. They are committed to independently producing challenging plays that actively draw in audiences; being an actor's studio for the continued training of the ensemble; fostering new works and new interpretations; and continually stretching their own capabilities and the minds of the audience and community.

BWW Reviews: Clever Confusion in DOGG'S HAMLET AND CAHOOT'S MACBETH from Sound Theatre Company

Tue, 18 Jun 2013 15:56:21 PST

I've said it before and I'm sure I'll say it again, you practically have to take a masters class in whatever Tom Stoppard is writing about in order to fully get his plays. Whether is be Shakespeare, Czech History or Mathematics it helps to have some kind of advance knowledge before you sit down. Having said that, while "Dogg's Hamlet and Cahoot's Macbeth" definitely had me saying "Huh?" a few times, what it amounts to is a clever, funny and engaging look at language and power.

Typically done together (although I cannot imagine them making as much sense apart), these two plays by Stoppard explore what it is to be understood through language. In "Dogg's Hamlet" we're in a boy's Preparatory school in the UK in 1978. But the folks in this school speak a language known as Dogg that utilizes ordinary English words but assigns completely different meanings to them. The boys (Fox Rain Matthews, Matt Fulbright, Noah Duffy and Corey Spruill) are putting up an abridged version of Hamlet, which is in a foreign language to them, English. Enter the character Easy (Luke S. Walker) who just wants to deliver some building supplies for the stage but finds himself unable to communicate with the lads. Sound confusing? Well, it is. But if you pay attention you'll be able to glom onto a little of the language and understand exactly what they're trying to say. Then in "Cahoot's Macbeth", a troupe of persecuted actors are trying to perform a production of the Scottish play in a living room in communist Czechoslovakia in 1978 but the head of the secret police (Robert Hinds) bursts in to stop their "subversive actions". All seems lost until Easy shows up again now speaking Dogg that the actors all pick up on but completely confounds the police. As I said, I ended Act One somewhat confused. Not only from the language but why this story was necessary. But it feeds nicely into Act Two and only illuminates the lack or abundance of understanding of people for each other depending on their perspective.

The play does get a little convoluted at times but the wonderful ensemble cast does their best to keep the chaos at bay or at least controlled. Matthews, Fulbright, Duffy and Walker pull off some insanely fun physical comedy in Act One (only to repeat and intensify it with everyone in Act Two). Walker especially displays some uproariously fun comedic timing with his bewildered deliveryman. And Duffy couldn't be more charming as the little schoolboy playing all the women of "Hamlet". Fulbright also turns in a stunning Macbeth in the play within the play in Act Two along with an extremely powerful Lady Macbeth from Elinor Gunn. And Hinds' Inspector couldn't be more deliciously evil as he chides and cajoles his way through the members of this band of "troublemakers".

Like most of Stoppard's plays, these definitely require some work on the part of the audience but also like most of his plays, that work pays off in the end.

"Dogg's Hamlet and Cahoot's Macbeth" from Sound Theatre Company performs at the Center Theatre through June 23rd. For tickets or information visit them online at www.soundtheatrecompany.org.

Photo credit: Ken Holmes

WICA to Present SERVING UP SUMMER with Sue Frause, 6/29

Mon, 17 Jun 2013 21:58:58 PST

Whidbey Island Center for the Arts ends the Kitsch 'N Bitch with Sue Frause season on Saturday, June 29 at 7:30 pm with "Serving Up Summer." Hosted by travel writer and food lover Sue Frause, "Serving Up Summer" is the final KNB in the 2012-2013 season. The live talk shows feature chefs and food lovers, on-stage cooking demonstrations, house band Deja Blooze, plus a signature cocktail prepared for each show.

Join Sue Frause and her three Whidbey Island guests for an evening of conversation, cuisine, and culinary tips for a show devoted to the grill. Guests include Useless Bay Coffee Company owner Des Rock, serving up tasty beef barbecue; Richard Parrick, a pro at both catching and grilling salmon; and Deja Blooze band member Russell Sparkman who will trade in his guitar to talk and prepare baby back ribs. Celebrity bartender for the night will be a surprise. Special treats include music by our house band, Deja Blooze. The 2013/14 KNB Season will be announced this summer.

Ticket prices are $15 and are available by calling the WICA Ticket Office (360) 221-8268 or (800) 638-7631. Learn more about Upcoming Events at WICA and Kitsch 'N Bitch at wicaonline.com. It all takes place at Whidbey Island Center for the Arts, 565 Camano Avenue, Langley, Washington.

Sue Frause is a freelance writer and photographer whose work appears in print and online. She started her journalistic career as a newspaper columnist at the South Whidbey Record and today her words and images focus on travel, food and entertainment. In addition to her numerous outlets, she's the author of three blogs: Closet Canuck, Married to Martha and Eat|Play|Sleep. Although her adventures have taken her to the seven continents, Sue's favorite place on the planet is the Pacific Northwest. She and her husband "Farmer Bob" have lived in Langley since 1975.

BWW Reviews: STAGEright's ALL IN THE TIMING Filled with Quirky Laughs

Sun, 16 Jun 2013 14:04:24 PST

The great thing about a show with a series of short plays is that if the current short play just isn't working for you, wait ten minutes and you'll be on to the next one. The greater thing about David Ives' "All in the Timing" is that most of his short plays included are gems. And the greaterer thing about STAGEright's current production of "All in the Timing" is that, for the most part (there was really only one that left me saying "Huh?"), the cast and directors have woven together such a tight and well paced show that there's bound to be something for everyone and plenty of laughs for all.

There are actually 14 plays in all in Ives' collection known as "All in the Timing" but STAGEright has chosen their favorite seven to present to us. Ranging from new languages to literary monkeys to variations on romance, the plays all take a look at somewhat ordinary ideas from a new angle. And what STAGEright has done is doled them out to seven different directors (Emily Harvey, Kyle James Traver, Jessica Askew, Mok Moser, Matt Giles, Brendan Mack, and Zandi Carlson) to infuse their takes on them yet keeping them all under the guise of taking place in a laboratory as the scientists study their subjects in these absurd situations. And for the most part that conceit works for the plays. Occasionally it's a stretch but with a little willing suspension of disbelief, that every theatergoer should have, they work. There was just that one that, as I said, left me wanting as they vehemently tried to cram this square peg of a conversation into the round hole of a lab setting which only served to dilute the story it was trying to convey with gimmicks. Which is a shame as if just kept simple, that play can be one of the funniest.

The eight member cast who all play multiple roles is sublime. Ty Bonneville, Andrew Galteland, Katie Kuntz, Adam Minton, Andrew Murray, Eric Olson, Kacey Shiflet, and Amberlee Williams each combine to form a beautiful cohesive whole that keeps the flow of the show going even as, sometimes cumbersome, set changes are being made. And it's that cohesion that makes the show and the conceit of the lab work, for the most part. And while all wonderful I have to note a few bits of incredible up there. Minton seems to have enough character and range inside him for 12 actors as he gave very different voices to each of his characters. Olson's nervous first dater is adorable but only serves to show off the hilarity of his swaggering lothario. Shiflet is a powerhouse as she goes from meek girl on a date to hyper intense scientist with his laser focused ode to a typewriter. Murray also manages his multiple characters well whether it be nervous partygoer or hilariously erudite chimp. And I have to comment on how great his chimp was as he was able to convey volumes with no words at all. And Kuntz practically walked off with every scene she was in as she had the audience in stitches with her pre show antics, dominated a golf game and turned in a stunning retelling of "Of Mice and Men" using only the letter "K". And special kudos to director Brendan Mack whose piece was my favorite of the evening as he managed to convey it through his actors with such laser focused intent.

With a wonderfully simple and practical yet slightly odd set from Brandon Estrella and an amusing sound design from Mack the show definitely knows how to bring the fun. And for someone choosing to stay indoors on these lovely (almost) summer evenings, fun is what you need.

"All in the Timing" from STAGEright performs at Richard Hugo House through June 29th. For tickets or information visit them online at www.seattlestageright.org.

Photo credit: Galen Wicks

Now Playing Onstage in Seattle - Week of 6/16/2013

Sun, 16 Jun 2013 10:00:00 PST

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SEUSSICAL
MADRONA CHILDRENS THEATER MADRONA THEATER COMPANY
3/21-6/17/2013
Now one of the most performed shows in America, SEUSSICAL is a fantastical, magical, musical extravaganza! Tony winners Lynn Ahrens and Stephen Flaherty (LUCKY STIFF, MY FAVORITE YEAR, ONCE ON THIS ISLAND, and RAGTIME) have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, lazy Mayzie, and a little boy with a big imagination--Jojo. The colorful characters transport us from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos.The Cat in the Hat tells the story of Horton, an elephant who discovers a speck of dust containing Whos, including Jojo, a Who child sent off to military school for thinking too many "thinks." Horton faces a double challenge--not only must he protect the Whos from a world of naysayers and dangers, but he must guard an abandoned egg, left to his care by the irresponsible Mayzie La Bird. Although Horton faces ridicule, danger, kidnapping, and a trial, the intrepid Gertrude McFuzz never loses faith in him. Ultimately, the powers of friendship, loyalty, family, and community are challenged and emerge triumphant.SEUSSICAL is fun for the whole family! Performers of all ages will be excited to portray the characters from the familiar Dr. Seuss fables. This musical provides wonderful creative opportunities for set, lighting, and costume design.More Ahrens and FlahertyFor complet
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WORLD'S FAIR
Wing-It Productions
5/2-6/21/2013
Wing-It Productions: - dir: Brandon Jepson.
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HAIRSPRAY
Fifth Avenue Theatre
6/20-6/23/2013
The 1950's are out and change is in the air! HAIRSPRAY, winner of 8 Tony Awards including Best Musical, is a family-friendly musical piled bouffant high with laughter, romance, and deliriously tuneful songs.It's 1962 in Baltimore, and the lovable plus-size teen Tracy Turnblad has only one desire -- to dance on the popular Corny Collins Show. When her dream comes true, Tracy is transformed from social outcast to sudden star. She must use her newfound power to dethrone the reigning Teen Queen, win the affections of heartthrob Link Larkin, and integrate a TV network, all without denting her 'do!HAIRSPRAY is ideal for a large cast of strong singers and dancers. It provides great opportunities in terms of set design, costuming, and lighting choices.
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SWEENEY TODD
BELLINGHAM Theatre Guild
6/4-6/23/2013
The rare instance of a musical thriller, Stephen Sondheim and Hugh Wheeler's chilling, suspenseful, heart-pounding masterpiece of murderous barber-ism and culinary crime tells the infamous tale of the unjustly exiled barber who returns to 19th century London seeking revenge against the lecherous judge who framed him and ravaged his young wife. His thirst for blood soon expands to include his unfortunate customers, and the resourceful proprietress of the pie shop downstairs soon has the people of London lining up in droves with her mysterious new meat pie recipe!Sophisticated, macabre, visceral and uncompromising, SWEENEY TODD nevertheless has a great sense of fun, mixing intense drama with howlingly funny moments of dark humor: audiences find themselves laughing hysterically one moment and gasping in surprise the next.At the show's core is a challenging score of epic proportion with two tasty tour de force roles in Sweeney and his comic female accomplice Mrs. Lovett. Although it has been extremely popular with opera companies and in concert presentation, SWEENEY TODD is equally effective as an intimate chamber musical.
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A FUNNY THING...FORUM
RENTON CIVIC THEATRE
6/14-6/29/2013
Broadway's greatest farce is light, fast-paced, witty, irreverent and one of the funniest musicals ever written. A FUNNY THING HAPPENED ON THE WAY TO THE FORUM takes comedy back to its roots, combining situations from time-tested, 2000 year old comedies of Roman playwright Plautus with the infectious energy of classic vaudeville.A FUNNY THING HAPPENED ON THE WAY TO THE FORUM is a non-stop laugh-fest in which Pseudolus, a crafty slave, struggles to win the hand of a beautiful but slow-witted courtesan named Philia, for his young master, Hero, in exchange for freedom. The plot twists and turns with cases of mistaken identity, slamming doors, and a showgirl or two.This unforgettable, hysterical musical allows a terrific ensemble of comedic actors to shine--"something for everyone, a comedy tonight!"
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THE HORRIBLE LAMB
West of Lenin Theater
6/14-6/29/2013
After a sold out run at the 2012 Seattle Fringe Festival, Sauer Bauer Productions has revived this blasphemous musical about the miracle of entitlement. Lyle Candell is confident that he's an exceptional person, so where the hell is his fame and fortune? Thirty-five years into his perplexingly normal life, he discovers that his unexceptional childhood nemesis has achieved Christian superstardom as the revered televangelist, Hal O'Luyah. Lyle is spurred to action by this cosmic injustice and sets out to claim his deserved share of the pulpit. With the help of his status-seeking girlfriend and some mischievous guardian angels, Lyle finds success is just a sin or two away once he dedicates his life to "Jaaayssusssss!".
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THE SOUND OF MUSIC
Pend Oreille Players Association
6/15-6/30/2013
The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain's immediate service in their navy. The family's narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version remains the most popular movie musical of all time.Music by Rodgers, Richard; Lyrics by Oscar Hammerstein II; Book by Howard Lindsay & Russel Crouse; Suggested by `The Trapp Family Singers` by Maria Augusta Trapp
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THE SOUND OF MUSIC
Pend Oreille Players Association
6/15-6/30/2013
The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain's immediate service in their navy. The family's narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version remains the most popular movie musical of all time.Music by Rodgers, Richard; Lyrics by Oscar Hammerstein II; Book by Howard Lindsay & Russel Crouse; Suggested by `The Trapp Family Singers` by Maria Augusta Trapp
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LES MISERABLES
OVATION MUSICAL THEATRE BAINBRIDGE
6/22-7/6/2013
This international smash-hit may be the most popular musical in the world. In 19th century France, Jean Valjean is released from 19 years of unjust imprisonment, but finds nothing in store for him but mistrust and mistreatment. He breaks his parole in hopes of starting a new life, initiating a life-long struggle for redemption as he is relentlessly pursued by police inspector Javert, who refuses to believe Valjean can change his ways. Finally, during the Paris student uprising of 1832, Javert must confront his ideals after Valjean spares his life and saves that of the student revolutionary who has captured the heart of Valjean's adopted daughter. His world-view shattered, Javert commits suicide, and Valjean at last attains the peace he has sought for so long.Epic, grand and uplifting, LES MISÃ?RABLES packs an emotional wallop that has thrilled audiences all over the world. The sung-through pop opera is ideal for a cast of exceptional singers and overflows with melodies that are already standards. A spectacle on Broadway and in London, LES MISÃ?RABLES is equally effective with a minimal set; it is its powerful affirmation of the human spirit that has made LES MISÃ?RABLES a popular masterpiece.
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SPRING AWAKENING
BELLINGHAM CHILDRENS CHOIR
6/21-7/6/2013
Winner of 8 Tony Awards, including Best Musical, SPRING AWAKENING is a rock musical adaptation of Frank Wedekind's 1891 expressionist play about the trials and tribulations, and the exhilaration of the teen years.It's Germany, 1891. The beautiful young Wendla explores her body and asks her mother where babies come from. Elsewhere, the brilliant and fearless young Melchior defends his buddy Moritz -- a boy so traumatized by puberty he can't concentrate on anything. One afternoon in the woods, Wendla and Melchior discover a desire unlike anything they've ever felt. SPRING AWAKENING explores the confusion and desperation that ensue when the onrushing tide of hormones meets the ignorance of children. SPRING AWAKENING celebrates the unforgettable journey from youth to adulthood with a power, poignancy, and passion that you will never forget.This celebration of rebellion provides the perfect opportunity to feature performers of all types, as well as the flexibility to creatively use costumes, set pieces, and lighting. Featuring a pop-rock score, this is an ideal show for talented vocalists with strong acting abilities.
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Elton John AND Tim Rice'S AIDA SCHOOL EDITION in Broadway" border="0" height="100" width="100" align="right"> Elton John AND Tim Rice'S AIDA SCHOOL EDITION
CENTRAL STAGE THEATRE OF COUNTY KITSAP
6/21-7/7/2013
Elton John and Tim Rice's AIDA SCHOOL EDITION is a contemporary musical take on a grand classic tale of the timeless bond between an enslaved Nubian princess and an Egyptian soldier. As forbidden love blossoms between them, the young lovers are forced to face death or part forever. Together, they set a shining example of true devotion that ultimately transcends the vast cultural differences between their warring nations, heralding a time of unprecedented peace and prosperity.With a pop-rock score that features stirring ballads and rousing choral numbers, Elton John and Tim Rice's AIDA SCHOOL EDITION is a modern crowd pleaser that embraces multi-cultural casting and exuberant dancing, staging and singing.
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MONTY PYTHON'S SPAMALOT
Paradise Theatre
6/21-7/7/2013

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THE IMPORTANCE OF BEING EARNEST
Lakewood Playhouse
6/14-7/14/2013
The Lakewood Playhouse is proud to present FINAL SHOW of our 74th SEASON of PLAYS - Oscar Wilde's timeless comedy of Love, Life and All of its Confusions "THE IMPORTANCE of BEING EARNEST." The Play will be performed on Fridays, Saturdays at 8:00pm and Sundays at 2:00pm. Performances will be June 14th - July 14th, with Special Showings at 8:00pm on Thursday, June 20th (Pay What You Can Night) and 8:00pm on Thursday, June 27th ("Pay What You Can" Actor's Benefit). Our Ticket Prices are $24.00 (General Admission), $21.00 (Senior/Military) and $18.00 (Students/Educators). We are proud to announce that this show will debut Our Brand New "I" and "J" Sections of Seating which will feature our BRAND NEW CHAIRS! Presented with views from all sides, in the Lakewood Playhouse's unique "in the round" seating, this production of "THE IMPORTANCE of BEING EARNEST" will help you feel like as if you are "inside" the show! ABOUT THE SHOW: In THE IMPORTANCE of BEING EARNEST, dashing men-about-town John Worthing and Algernon Moncrieff pursue fair ladies Gwendolen Fairfax and Cecily Cardew. Matters are complicated by the imaginary characters invented by both men to cover their on-the-sly activities-not to mention the disapproval of Gwendolen's mother, the formidable Lady Bracknell. Parental Advisory: This production is suitable for the entire family. ABOUT OUR THEATRE: The Lakewood Playhouse was founded in 1938 and has established itself with theatre that is both intimate and epic. The theatre is located within the Lakewood Towne Center, 5729 Lakewood Towne Center Blvd., Lakewood, Washington 98499. For further information about "THE IMPORTANCE of BEING EARNEST" please contact the Box Office at the Lakewood Playhouse (253) 588-0042 or make any e-mail queries to John Munn, Managing Artistic Director, at jmunn.lakewoodplayhouse@gmail.com.
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SUMMER SESSION: ROCK 'N' ROLL
Harlequin Productions
6/20-7/20/2013
State Theater: - A Harlequin Original Rock 'n' Roll Celebration.
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JESUS CHRIST SUPERSTAR
Harlequin Productions
6/20-7/27/2013
It seems especially fitting that the first rock opera, created as a concept album at the end of the turbulent '60s, should have at its center a social and political rebel. Jesus' meteor-like rise in renown provides, as the title suggests, a parallel to contemporary celebrity worship. As his radical teachings are evermore embraced, Judas increasingly questions the enlightened motives of this new prophet, resulting in betrayal. Christ's final days are dramatized with emotional intensity, thought-provoking edge and explosive theatricality. Propelled by a stirring score, by turns driving and majestic, satirical and tender, JESUS CHRIST SUPERSTAR illuminates the transcendent power of the human spirit with a passion that goes straight to the heart.Lyrics by Tim Rice; Music by Andrew Lloyd Webber
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JESUS CHRIST SUPERSTAR
Harlequin Productions
6/20-7/27/2013
It seems especially fitting that the first rock opera, created as a concept album at the end of the turbulent '60s, should have at its center a social and political rebel. Jesus' meteor-like rise in renown provides, as the title suggests, a parallel to contemporary celebrity worship. As his radical teachings are evermore embraced, Judas increasingly questions the enlightened motives of this new prophet, resulting in betrayal. Christ's final days are dramatized with emotional intensity, thought-provoking edge and explosive theatricality. Propelled by a stirring score, by turns driving and majestic, satirical and tender, JESUS CHRIST SUPERSTAR illuminates the transcendent power of the human spirit with a passion that goes straight to the heart.Lyrics by Tim Rice; Music by Andrew Lloyd Webber
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Sound Theatre Company Presents an Evening of Plays by Sherry Narens Tonight

Sun, 16 Jun 2013 00:30:00 PST

Sound Theatre Company will present LISTENINGS: TWO PLAYS OF MYTH AND HEALING, a reading of two works by award-winning playwright Sherry Narens, tonight, June 16th at 7:00pm in the Center Theatre at the Armory. LISTENINGS is presented as part of MAKING WAVES, an experimental theatre program of Sound Theatre Company, and is free and open to the public.

SOUND THEATRE COMPANY presents highly theatrical work inspired by language and music while showcasing professional and emerging talent in the Seattle area.

Sound Theatre Company will present LISTENINGS: TWO PLAYS OF MYTH AND HEALING, a reading of two works by award-winning playwright Sherry Narens, onSunday, June 16th at 7:00pm in the Center Theatre at the Armory. LISTENINGS is presented as part of MAKING WAVES, an experimental theatre program of Sound Theatre Company, and is free and open to the public.

This evening of plays will include THE SECRET LIFE OF ELEANOR RIGBY which explores the intimate-- and somewhat ambiguous--relationship between a woman and her Cantonese-speaking cat. In BONES: THE TALE OF CALLIE ARCHER a woman who has come to question the nature of the cement city she lives in is transformed as she seeks to change and heal her environment. This is a creation myth for a world yet to be and includes live traditional Celtic harp music.

Sherry Narens has worked in theatre all her adult life as an actor, playwright and director. Beginning with the eleven years she worked with Chicago Dramatists (during which time her play, Parktalk, was produced there) she has focused largely on new plays and new play development. Her play Theresa Bassoon has received multiple awards, including an Award from The Kennedy Center Fund for New American Plays, and the Best Full Length Play Award at The Actors Theatre of Santa Cruz. Since moving to Seattle she's seen production of her short plays Village of the Sirens (The Art Project and Northwest Playwrights' Alliance), Doors and Tunnels (Live Girls Quickies 11), and The Destiny of Souls (2009) and Box (2010) with Seattle Playwrights Collective. She is a member of The Dramatists Guild as well as Actors Equity and SAG-AFTRA.

SOUND THEATRE COMPANY presents highly theatrical work inspired by language and music while showcasing professional and emerging talent in the Seattle area.

THE LAND IS ALWAYS KNOWN Debuts at On The Boards' NW New Works Festival 2013 Tonight

Sat, 15 Jun 2013 00:30:00 PST

The Satori Group in collaboration with The Bengsons, a New York City based musical duo, will be debuting work from their new piece The Land Is Always Known at On The Boards' Northwest New Works Festival tonight, June 15 and tomorrow, June 16.

The piece explores a history of violence, abuse, hurt, and escape through song and movement, following the journey of Phoebe as she returns to the place her family comes from, generations before, to find the source of her own understanding of hurt. At the heart of our investigation is this: How do you move on from violence? How might we confront past wrongs without being consumed by them? How can you heal without erasing or negating?

The Land Is Always Known sets out to make a new kind of immigrant story. What if we consider ourselves first generation non-violent? We are refugees from a culture of violence. We have one foot stuck in the old way as we struggle to look for a new. What stories might we tell ourselves to help disrupt a cycle of hurt and hurting?

NW New Works is the first step in the development of The Land Is Always Known. Following the performance at On the Boards, the Satori Group will tour this current incarnation to the Risk/Reward Festival in Portland from June 21-23. Over the next year, the Satori Group and The Bengsons will present other workshops and performances of the piece as it is expanded into a full length production.

Directed by Caitlin Sullivan and written by Spike Friedman with music by The Bengsons, the production features the work of: Devin Bannon, LoraBeth Barr, Abigail Bengson, Shaun Bengson, Kent Cubbage, Liza Curtiss, Dan Davidson, Quinn Franzen, Spike Friedman, Lauren Hester, Kristyne Hughes, Rachel Levens, Alex Matthews, Sarah Sanders, Molly Sides, Amanda Stoddard, Kate Sumpter, Carol Thompson, Montana Tippet, Lindsey Valitchka, and Greta Wilson.

Tickets and more information are available from On The Board's website: http://www.ontheboards.org/nw-new-works-festival.

The Satori Group is a regionally recognized and critically acclaimed theatre ensemble, working primarily in the development of new work. We present public performances of Satori productions on an annual basis, typically with 1-2 large-scale mounted productions per year, and several (3-5) smaller scale public performances of in-development work. These smaller-scale performances can range from in-process showings for an invited audience, to ticketed events showcasing a project that may go on to receive a fuller large-scale production.

Cast: Phoebe Greta Wilson**; Ruth Abigail Bengson; and Elias Quinn Franzen**

Ensemble: Devin Bannon, LoraBeth Barr, Shaun Bengson, Liza Curtiss*, Dan Davidson, Spike Friedman**, Lauren Hester**, Alex Matthews**, Sarah Sanders, Molly Sides, Kate Sumpter, Carol Thompson, and Lindsey Valitchka.

Creative Team: Creator/Director Caitlin Sullivan**; Creator/Writer Spike Friedman**; Creator/Music Abigail Bengson; Creator/Music Shaun Bengson; Movement Director Molly Sides; Dramaturg Lauren Hester**; Scenic Design Montana Tippett; Lighting Design Kent Cubbage; Costume Design Lindsey Valitchka; Production Manager Amanda Stoddard; Stage Manager Kristyne Hughes; Assistant Director Rachel Levens; and Assistant Director Sarah Sanders.

Caitlin Sullivan (Creator/Director)
Caitlin Sullivan is a founding member and the current Artistic Director of the Satori Group. She also works as a director, dramaturge, and teacher, specializing in the development of new works. With Satori, she has directed the world premieres of Winky, Fabulous Prizes, and reWilding, and has participated in the generation and development of Microdramas and LineDry. Caitlin frequently collaborates with The Bengsons. She is currently assisting Anne Kauffman on their original opera Hundred Days (ZSpace, 2014), and looks forward to developing The Land is Always Known into an evening length piece. Caitlin holds a BA from Williams College, and is the current Associate Artistic Director of the Williams College Summer Theatre Lab.

Spike Friedman (Creator/Writer/Ensemble)
Spike Friedman, a founding member of the Satori Group, wrote and is performing in the Land is Always Known. He has functioned as a lead writer/collaborator on a number of Satori's other generative projects including Microdramas, Winky, and Linedry. Notable past performances with the Satori Group in Seattle include reWilding, Artifacts of Consequence and TRAGEDY: a tragedy. Spike is also a contributing writer for Bill Simmons' website Grantland. Before relocating to Seattle, Spike performed regularly at the Upright Citizens Brigade Theatre in New York. Spike holds a BA in Theatre and Economics from Williams College.

The Bengsons (Creators/Music)
The Bengsons, Abigail Nessen Bengson and Shaun McClain Bengson, are a rock band and collaborative theater making team. They have performed their original works at such venues as The Skirball Center (NYC), Joe's Pub (NYC), La Mama ETC (NYC), Ars Nova (NYC), The Culture Project (NYC), Mass MoCA (MA), The Flynn (VT), Z Space (SF, CA), Know Theater (OH), The Royal Shakespeare Company (UK), and The Market Theater (South Africa). Their next piece, Hundred Days (directed by Anne Kauffman! AD: Caitlin Sullivan! Yeah!) will be premiering in 2014 at Z Space in San Francisco. The Bengsons are honored to be working with the Satori Group.

Devin Bannon (Ensemble)
Devin Bannon is a native Seattle performer and director and is honored to finally work with his friends in The Satori Group. Devin is a Co-Artistic Director of the Washington Ensemble Theatre, and previously the Artistic Assistant at Intiman Theatre. Devin also founded and directed the arts fundraising concert series Ricochet Recital and is a founding member of Fathom Performance Collective. As a performer, Devin earned his degree in theatre at Hampshire College and trained at l'Accademia dell'Arte in Italy and has worked with many other companies in Seattle, including Degenerate Art Ensemble, Cafe Nordo, Nebunele Theatre, and Daipan Butoh.

LoraBeth Barr (Ensemble)
LoraBeth Barr is thrilled to be in Seattle working with the Satori Group. In 2010 LoraBeth graduated from the College Conservatory of Music in Cincinnati with a BFA in acting. For the past 3 years LoraBeth has lived in Los Angeles working with new theater ensembles; Stokastik Theatre Ensemble, Moving Arts and LOFT Ensemble to develop new work. As a performer favorite roles include; Abigail in The Crucible, Thyona in Big Love and Viola in Twelfth Night. In the past 2 years, LoraBeth has also managed The Carrie Hamilton Theater at the Pasadena Playhouse and wild Up: a modern music collective.

Kent Cubbage (Lighting Designer)
This is Kent Cubbage's first design for Satori, and he's excited to have met such a vibrant group. Recently, his work has been seen in Seattle Shakespeare's "Love's Labour's Lost," Cloud Cult's show at the Neptune, and Pony World's "Dali" at Theater Off Jackson. You can catch his upcoming designs at Taproot, Seattle Shakes, and Book-It this year; he also designs regularly at the Triple Door, the Crocodile, and the Neptune. Recent assists include "Chicago" at the Village, "Assisted Living" at ACT, and "Elf" at the 5th Avenue. Credits outside Seattle include assists on Broadway, the Guthrie, and Chicago Shakespeare Theater, and many designs in Chicago and Minneapolis.

Liza Curtiss (Ensemble)
Liza Curtiss is an associate artist with the Satori Group. She first collaborated with Satori back in 2010 on an Elliot Smith fairytale, Kings Crossing. In 2011, she assistant directed Fabulous Prizes and from there has worked on numerous workshops, and has even taught with Satori at Williams College, her alma mater. Most recently she was seen playing in the dirt in Satori'sReWiliding. Outside of the Satori Group, Liza was seen onstage in the Seattle Fringe Festival, and at the Brooklyn Lyceum in New York. There, she worked with Tugboat Collective on Moon & Marble, a play she both wrote and performed in. Liza is excited to be back in the Northwest to celebrate its local talent in the Northwest New Works and Risk/Reward festivals!

Dan Davidson (Ensemble)
Originally from Cincinnati, OH by way of Los Angeles, CA & Missoula, MT, Dan is ridiculously excited to have landed in Seattle, WA & to be sharing this stage with these amazing people. This is Dan's first official performance with Satori not just being "another artist in the room." And now shameless plugs for my drag personae, SPaRKLe LeiGH!

Quinn Franzen (Elias)
Quinn Franzen is an actor and theatre artist. He performed in Satori's reWilding, Fabulous Prizes and Artifacts of Consequence. He has also worked with Seattle Children's Theatre, The Intiman, and Book-It Rep. He has trained with Freehold Theatre, Pig Iron, Shakespeare and Co., The Market Theatre in Johannesburg, and LAMDA. Quinn holds a BA in Theatre from Williams College and is a Satori member.

Lauren Hester (Dramaturg/Ensemble)
Lauren Hester is a founding member of the Satori Group, where she has lovingly worked for years as a dramaturg and stage manager. She is a new works enthusiast who has also collaborated with ticktock aerial Dance Company, Kyle Loven and Hatlo, Washington Ensemble Theatre, and QTET (Queer Teen Ensemble Theatre). Most recently she has partnered with The Platform, a playwriting program which facilitates the theatrical expression of homeless and at-risk youth. Hester holds a BA in Theatre and English from Williams College, and she has trained with Frank Theatre, Pig Iron Theatre Company and the Market Theatre Lab in Johannesburg, South Africa.

Kristyne Hughes (Stage Manager)
Kristyne Anne Hughes is a local stage manager, production manager and properties designer. She graduated from the UW School of Drama in 2009. Shortly after school she joiNed Washington Ensemble Theatre where she became the Production Manager and a Co-Artistic Director, and currently sits on the Board. She is the Administrative Director for Black Box Operations, the organization made up of Washington Ensemble Theatre, Strawberry Theatre Workshop and NCTC that will be operating the brand new theatre space at 12th Ave Arts starting in Fall of 2014. She has also worked for years as the Props Master at Book-it Repertory Theatre.

Rachel Levens (Assistant Director)
Rachel Levens is a recent graduate of Cornish College of the Arts where she received her BFA in Theatre with an emphasis in Original Works. She was the assistant director for reWilding. She was the literary intern this season at Washington Ensemble Theatre. During the summer of 2012 she served as the artistic intern at the Bushwick Starr in Brooklyn, NY.

Alex Matthews (Ensemble)
Alex is a proud founding member of The Satori Group. He has appeared in several of Satori's shows including Artifacts of Consequence, Winky, and reWilding. He last appeared as Willem in New Century Theatre Company's production of The Trial and as Eros in Seattle Shakespeare Company's production of Antony and Cleopatra. Recently, he was able to help lead a Satori Group workshop with students at Williams College (his Alma Mater) in Williamstown, MA where they developed an original show called Line Dry. He is honored to work with such talented, multidisciplinary artists in The Land is Always Known.

Sarah Sanders (Assistant Director/Ensemble)
Sarah Sanders is a rising senior at Williams College in Williamstown, Massachusetts, and is so happy to be working with Satori for the first time. She has performed in workshops of Hundred Days with the Bengsons in Williamstown, Burlington, and at the 92YTribeca in New York. She is also currently working on a solo show about Queen Margaret, to be performed in February, and writing lyrics for a new musical tentatively titled How Not To Be Alone.

Molly Sides (Ensemble)
Molly Sides is a Seattle based Sound and Movement Artist. She moved from Ketchum, Idaho to attend Cornish College of the Arts and graduated with a BFA in Dance in 2010. Between throughout and since then she has had the pleasure to work with such artists as SaltHorse, tEEth, Lingo and is currently a member of The New Animals. She is constantly looking for new ways to bring dance to an assortment of audiences thus created .Trigger. New Dance Happenings at Vermillion Art Gallery and Bar.

Amanda Stoddard (Production Manager)
Amanda is the Production Manager for The Land is Always Known. Previous work with the Satori Group includes Fabulous Prizes and their NWNW Festival debut, The Making of a Monster. Amanda is an Associate Artist and also serves on the Satori Group's Advisory Board.

Kate Sumpter (Ensemble)
Kate is a Seattle-based actress and a UW graduate. She was seen recently as Jane in Crash at Seattle Children's Theatre, as Gloria in the Satori Group's reWilding, as Vivienne in Legally Blonde at Seattle Musical Theater and as Grace in Tigers Be Still with Catapult Theater Company. Favorite credits include co-writing and performing in Ithaca I'll Never See at the Edinburgh Fringe Festival and performing in the ensemble generated Barbarians with The Frost Group. She is also currently performing in Harp Song For a Radical at OtB's Northwest New Works.

Carol Thompson (Ensemble)
Carol Louise Thompson is an actress, teacher and writer living in the Seattle area. She has been working with the Satori Group on many projects in the past few years. Carol is a founding member of The Platform, a playwriting intensive for young artists who frequent Youthcare's Orion Center. Last year she was nominated for the Gregory Award for Outstanding Supporting Actress for her work in Washington Ensemble Theater's world premiere production of The Callers.

Montana Tippet (Scenic Designer)
Montana Tippett has designed scenery in Seattle since earning her BFA at Cornish College of the Arts. Notable designs include: The Bells with Strawberry Theatre Workshop, which received a Seattle Times Footlight Award for Design Magic, Rewilding with The Satori Group, These Streets with ACT's Central Heating Lab, Sweet Nothing with Macha Monkey Productions, and Summertime with Cornish, which recieved First Place in Scenic Design at the Kennedy Center American College Theatre Festival. She is delighted to collaborate with The Satori Group again, and grateful to be a part of this amazing festival.

Lindsey Valitchka (Ensemble/Costume Designer)
Lindsey Valitchka is a co-founding member of the Satori Group. She was last seen at OTB during 2010's NWNW in Satori'sMaking of a Monster. In Seattle, she has participated in countless workshops, trainings, and was seen in Satori's Artifacts of Consequence, Winky,and Tragedy: a Tragedy. Lindsey is also a recent graduate of the Masters Program in Speech-Language Pathology at the University of Wisconsin-Madison. She specializes in Voice and Swallowing disorders as well as communication rehabilitation following Traumatic Brain Injury.

Greta Wilson (Phoebe)
Greta Wilson is an actor, founding member, and Development Director with the Satori Group. She was most recently seen with Satori as Agnes in reWilding, was featured on the album "Music for reWilding" by This Bitch Don't Fall Off, and performed with New Century Theatre Company in The Trial. She has trained with Pig Iron, the Frank Theatre, and The Market Theatre in Johannesburg, and holds a BA in Theatre from Williams College. Next up, she will be teaching ensemble development at the Williams College Summer Theatre Lab. She has endless gratitude for her husband NDH and her extended Satori family.

Seattle International Dance Festival's Art on the Fly Outdoor Kickoff Event Set for Today

Sat, 15 Jun 2013 00:30:00 PST

Art on the Fly kicks off ten days of international dance. Today, June 15th, the streets of South Lake Union become an arts playground featuring the Massive Monkees, a Brazilian parade, an Egyptian wedding procession (including a kazoo sing-along), a live interactive marionette exhibit (where the audience pulls the strings), a Bollywood Flash mob, and FREE open dance classes from Seattle's best studios. South Lake Union will be wall-to-wall events and it's open to all ages.

This free outdoor family friendly event from 12 noon to 9 pm will block off two city blocks on Terry Avenue from Republican to Thomas streets and include three stages with bands Shenandoah Davis, Exohxo, No Clouds, Si Limon, an indie craft fair, beer and margarita gardens and food by celebrated local restaurants. The festivities finish with the Dusk Dance Party hosted by KEXP DJ Will Myers playing world beats.

From June 14-23, the Seattle International Dance Festival will present emerging companies, collaborations, and new commissions from groups as far away as the Gold Coast of Ghana to the politically charged beltway environment of our nation's capital. The works address everything from women's issues to love and people's bedtime habits. Dance forms barriers will be trampled. Ballet and West African dance will meet while Hip-hop and traditional ethnic dances will brush shoulders.

ART ON THE FLY - June 15; 12 - 9pm

Dozens of FREE kid-friendly, interactive, surprise dance events will take over the streets surrounding Amazon's Van Vorst Plaza. There will be performances from the Massive Monkees, Idan Cohen from Israel and Kokoro Dance from Canada. Roving performances like the slo-mo Geisha's on a shopping spree, 14-foot Peruvian puppets by BQDanza will surprise and delight. Former PNB dancers will teach an all-ages dance class and there will be Salsa, Zumbatonic for kids, Bollywood, Yoga, hip hop classes as well.

ART ON THE FLY / DUSK DANCE PARTY - June 15; 6 - 9pm

Hosted by KEXP's favorite Latin DJ Will "Chilly" Myers. He will transport world beats to Van Vorst plaza for one very special outdoor dance party into the sunset.

ART ON THE FLY / DANCING WITH THE SEATTLEITES - FINALS - June 15; 4:30 pm

For several weeks, instructors and the eight final contestants have met in studios around the city to polish and prep for the final competition. On June 15th these self-proclaimed "non-dancers" will be ready to show their stuff and fight for the grand prize at the competition. A "Dancing with the Seattleites" winner will be announced on the spot at Art on the Fly and audience votes are encouraged.

INTER|NATIONAL ARTISTS SERIES June 14 - 23; Fri-Sat 8pm; Sun 7:30pm - Raisbeck Hall, 2015 Boren Ave.

Tere Mathern Dance (Portland OR), Idan Cohen (Israel) Yurek Hansen and Manimou Camara (Idaho and Guinea, Africa/Seattle ) Kokoro Dance (Vancouver Canada) Khambatta Dance Company (Seattle WA) Maida Withers Dance Construction Company (Washington, D.C.) Dancing People Company (Ashland, OR) Experimentus (Brazil), Jennifer McLeish-Lewis (Nanaimo, Canada) Wuza Wuza (Ghana, West Africa)

SPOTLIGHT ON SEATTLE - June 18-20; Tue-Thur 7:30 pm - Raisbeck Hall, 2015 Boren Ave.

Curators Amy O'Neal, Tere Mathern, Kiyon Gaines and includes artists like Allie Hankins, Kate Wallich, UMAMI Performance, Jody Kuehner, Ricki Mason, Ashani Dances and over fifteen other artists.

STAGE TUBE: Keaton Whittaker Sings 'Carrie' at Balagan Theatre Preview Event

Fri, 14 Jun 2013 13:41:10 PST

Balagan Theatre recently announced that a trio of Broadway powerhouse artists will star in "Carrie: The Musical" this fall: Alice Ripley, Kendra Kassebaum, and Keaton Whittaker as Carrie. Ripley is best known for her Tony Award-winning turn as Diana Goodman in "Next to Normal"; Kassebaum originated the role of Glinda in 'Wicked' on the first national tour; and young local actor Keaton Whittaker starred alongsideAngela Lansbury and Catherine Zeta-Jones in "A Little Night Music". Check out Keaton Whittaker performing "Carrie" at the recent season preview event below!

"Carrie" is a co-production with Seattle Theatre Group, performed at the Moore Theatre and directed by Balagan Artistic Director and Broadway actor Louis Hobson. "Carrie" features a book by Lawrence D. Cohen(screenwriter of the classic film), music by Academy Award winner Michael Gore ("Fame", "Terms of Endearment"), and lyrics by Academy Award winner Dean Pitchford ("Fame", "Footloose").

The Balagan Theatre/Seattle Theatre Group co-production will be October 11-26, 2013, at the Moore Theatre in Seattle.

Click Here to Play!

STAGE TUBE: Alice Ripley Performs 'When There's No One' from CARRIE at Balagan Theatre's Season Preview Event

Fri, 14 Jun 2013 14:13:41 PST

Balagan Theatre recently announced that a trio of Broadway powerhouse artists will star in "Carrie: The Musical" this fall: Alice Ripley, Kendra Kassebaum, and Keaton Whittaker as Carrie. Ripley is best known for her Tony Award-winning turn as Diana Goodman in "Next to Normal"; Kassebaum originated the role of Glinda in 'Wicked' on the first national tour; and young local actor Keaton Whittaker starred alongside Angela Lansbury and Catherine Zeta-Jones in "A Little Night Music". Check out Ripley perform "When There's No One" at the recent season preview event below!

"Carrie" is a co-production with Seattle Theatre Group, performed at the Moore Theatre and directed by Balagan Artistic Director and Broadway actor Louis Hobson. "Carrie" features a book by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore ("Fame", "Terms of Endearment"), and lyrics by Academy Award winner Dean Pitchford ("Fame", "Footloose").

The Balagan Theatre/Seattle Theatre Group co-production will be October 11-26, 2013, at the Moore Theatre in Seattle.

Click Here to Play!