Click below to access all the grosses from all the shows for the week ending 9/21/2014 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
I can't understand why CINDERELLA keeps going. They must be hemorrhaging money. And hanging on till Nene Leakes takes over is stupid. She is not going to bring them in either.
Cinderella should really call it quits early. No need for them to hang on until January. RippedMan, I think Mia & Brian aren't necessarily a pair that will sell tickets. If they hang on for Candice Bergen and Alan Alda, that might sell better.
I think the inherent issue with LOVE LETTERS is that people will be seeing it more for the performers than the play. This means if less desirable actors are in then you won't have the audience. Mia Farrow is a great actress but I don't see her setting the box office ablaze. Ditto with Dennehy (minus the claim that he's a great actor).
"Pardon my prior Mcfee slip. I know how to spell her name. I just don't know how to type it." -Talulah
I'll eat these words if the other stars pull sales, but I've always thought this "Love Letters" revival was a strange idea for 2014. It's still two actors reading. Everyone at these boards screams "Stop! No one cares once it begins! No one even notices they're on book! It's magic!" Well, magic may happen there 8 times a week, but it's not necessarily in the eyes and heads of the B'way audience, ever more careful with their dollars. It's two people reading. Unless they are Taylor and Burton, Olivier and Leigh, Pitt and Jolie, I can't see people going "oooh, stars in Love Letters!" Again, if it leaps forward with any of others -- say, Rigg (the only one I'd pay to see) -- I'll chew down these pragmatic sentiments.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
A little odd that the Love Letters producers chose to start with the cast that has probably the least box office pull. I wonder if they should have just started a month later with Carol Burnett and Brian Dennehy.
"What was the name of that cheese that I like?"
"you can't run away forever...but there's nothing wrong with getting a good head start"
"well I hope and I pray, that maybe someday, you'll walk in the room with my heart"
^ Why? If the producers of Love Letters have the money, why not get word-of-mouth stirring to catch some attention and then when people look into it they'll find out about all these names coming into it and purchase their tickets when they want to go. They're doing it right, in my opinion.
I agree though, that in 2014, they should have at least tried for some more interesting names to make the run even longer and more successful. The lineup already is great but some bigger names may have given them a wider draw.
The Lyric holds 1,874. It was a first preview likely heavily comped. I doubt even with rave reviews they'll come close to filling it. They should be thankful if they average 1,300/performance.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I don't think it's fair to doom every single thing that comes into this theatre. Sure, it's big... but people are so quick to assume. Why don't we let it get through its first week of PREVIEWS before we come to that conclusion.